Mythology: Poem and Painting

I find the myths and folklore of other cultures very fascinating. There are so many common themes in our universal human journey to understand ourselves and our world.

Last year I was inspired to do a series of paintings based on hiking in the Smoky Mountain woods near Asheville, North Carolina.  As part of my process, I researched the Native American tribes who inhabited the region thousands of years ago. Their rich mythology and cultural symbols resonated deeply for me, and found their way into an original poem and an abstract painting.  I’ve shared both below:

 

Mythology (18″ x 18″, Oil with Mixed Media)

CJL_Mythology_2

 

 

Mythology

In these mountains, six thousand years ago,
ancestors told stories of a cosmos divided
into layers:

an upper celestial world of weather and objects
of light in the sky; a middle natural world with
flora and footed creatures; and a lower world,
dark and dangerous, filled with strange beings
who could travel the three worlds at will,
crisscrossing permeable borders
in a layered universe.

Their ancestral themes remain intact,
channeled into the present under new names,
like multiple universes, where we move across
dimensions on a space-time continuum, and
we (like those before us) try to make sense
of dense black holes with string theories,
yearning to understand, while our souls
(like theirs) glide across time, untethered

  —Cynthia J. Lee

ARTIST AS MEDIUM

Last autumn during the week of my son’s wedding on the East Coast, I had the opportunity to see Rothko to Richter: Mark-Making in Abstract Painting at the Princeton Art Museum. In the exhibit book are statements by two artists about their intentions for the art they created:
Karel Appel (1921-2006): “We live always in tremendous chaos, and who can make chaos positive anymore? Only the artist.”

karel-appel-Dance-in-Space-before-the-StormKarel Appel:  Dance in Space Before the Storm

Paul Jenkins (1923-2012): “The role of the artist is to serve as conduit, or ‘medium’, through which memories, emotions and experiences pass directly onto the canvas.”

1992ENDLESSQUEST Paul Jenkins:  Phenomena Endless Quest

Like other Abstract Expressionists, Appel and Jenkins were influenced by the massive cultural, political and technological changes following World War II.  Today’s artists, too, respond to the pulse of the times in which we live.  At exhibits of contemporary artists from around the world I often find similar themes reflected in the art.  Forms are incomplete.  Shapes dissolve.  Layers of complexity are punctuated with random lines and scratches.  All these seem to suggest the fragmentation and uncertainty of our globally-connected Digital Age.

Artists are always engaged in a search for meaning about the world around us.  Those who experience our art know when the art is good, for it resonates.  Others can see and feel something of their own lives in the art.

For me, the role of artist as “medium” is both challenging and deeply rewarding.  I begin a painting to explore some undefined question, some feeling I don’t yet understand.  Eventually, the painting reaches a “There, that’s it!“ point where both question and answer are present.  It says what I wanted to say and communicates what I felt.  Later, when the painting resonates for another person, I realize I was not alone in this exploration.  For a brief moment in time my art connects us and, together, we make some sense of our world.

Story Unfolding_emailCynthia J. Lee:  Story Unfolding, Oil with Mixed Media